Showing posts with label Multi-published author. Show all posts
Showing posts with label Multi-published author. Show all posts

Monday, March 9, 2020

R&R: Raves and Rants by Multi-Published Author Amanda Cabot


The Affect of a Hoard on Newly-Sprouted Grass

Did you cringe when you read the title? I certainly did when I wrote it, but I wanted to snag your attention for my rant about confused and misused words.

I’ll be the first to admit that English is not an easy language, but the confusion between homonyms and the misuse of words with similar pronunciations is becoming so common that I had to rant.


There are two badly misused words in my title: “affect” and “hoard.” Let’s start with the easier one, “hoard.” “Hoard” is both a noun and a verb. The problem is that as a noun, it’s often confused with “horde,” although the two have very different meanings.

The Nouns
Noun
Definition
Example
Hoard
A supply or fund stored up and often hidden away
The chipmunk had a hoard of acorns hidden under the tree in preparation for winter.
Horde
A teeming crowd or throng
The hordes of rioting citizens broke store windows and began looting.

See what I mean about the two nouns having very different meanings? And, while Spellchecker will flag many errors, the incorrect use of hoard vs. horde isn’t one of the mistakes it catches.

The Verb
Verb
Definition
Example
Hoard
To lay up a hoard
The chipmunk hoarded acorns under the tree.

Note that the verb has the meaning you would expect. It’s the action of creating a hoard. “Horde” is never a verb.

That was relatively simple. “Affect” is considerably more complex. Like “hoard,” it’s both a noun and a verb. Like “hoard,” it’s often confused with another word, in this case “effect.” The similarities end there. “Effect” is also both a noun and a verb. What makes these two words even more confusing is that the nouns and verbs are not as closely related as you might expect.

When you see the word “change,” whether it’s a noun or a verb, you know that you’re dealing with some type of alteration. The same is true of many other words that are both nouns and verbs, including “hoard.” Unfortunately, that’s not the case with “affect” and “effect,” which is one of the reasons why these words are misused so often.

The Verbs
Verb
Definition
Example
Affect
To put on a pretense
He affected an air of nonchalance he was far from feeling.
To produce an effect
The blizzard affected air travel across the West.
Effect
To bring about
Though she tried, she was unable to effect a change in the company’s hiring policies.

Though both verbs are used in ordinary language, the most commonly used is the second definition of “affect.”

If relationships between these verbs and their nouns were as close as they are for many English words, you might expect the noun “affect” to be something produced by the second definition of the verb “affect,” changing the familiar phrase “cause and effect” into “cause and affect.” That might seem logical, but I never said English was a logical language.

Here are the correct definitions of “affect” and “effect.”

The Nouns
Noun
Definition
Example
Affect
An observed emotional response Note: This is a technical term used in psychology and psychiatry and is rarely used in ordinary speech or writing.
She maintained the same affect throughout her therapy.
Effect
Something that inevitably follows an antecedent, as in a cause and effect
The blizzard had the effect of closing major airports.

It’s only been in the past year or so that I’ve seen “affect” commonly used as a noun, and each time I see it, I shake my head in dismay, wondering why the author chose that word. In many instances, the author used it as a synonym for “appearance,” perhaps thinking that “affect” made her sound more educated. If so, she would have been disappointed in my reaction, because I felt she was like Amy March from Little Women, affecting a level of sophistication she did not possess. (Note that I used the first definition of the verb “affect” in that sentence.)

The good news is that Spellchecker will flag the erroneous use of “affect” as a noun, although it does not distinguish between the correct and incorrect use of either “affect” or “effect” as a verb.

Let’s return to the title of this post. Does “The Observed Emotional Response of a Hidden Store on Newly-Sprouted Grass” make any sense? Of course not. On the other hand, if I’d written, “The Effect of a Horde on Newly-Sprouted Grass,” there would have been no reason to rant, because you’d have had no trouble imagining a crowd causing trampled grass.

Be careful with the words you use. They’re not interchangeable.

~ Amanda

Bio:
Amanda Cabot’s dream of selling a book before her thirtieth birthday came true, and she’s now the author of more than thirty-five novels as well as eight novellas, four non-fiction books, and what she describes as enough technical articles to cure insomnia in a medium-sized city. Her most recent release, Out of the Embers, introduces readers to the fictional town of Mesquite Springs, Texas, where danger just might lurk.”
Her inspirational romances have appeared on the CBA and ECPA bestseller lists, have garnered a starred review from Publishers Weekly, and have been nominated for the ACFW Carol, the HOLT Medallion, and the Booksellers Best awards. A popular workshop presenter, Amanda takes pleasure in helping other writers achieve their dreams of publication.
Find Amanda:




Friday, January 24, 2020

A Recap Of All Amanda Cabot's Raves & Rants Posts

Amanda Cabot, a multi-published author in several genres and would-be grammar guru, has created a series of posts I consider to be keepers. I've printed them out and placed them in my own grammar notebook, and I've heard from many of my readers that they have done the same.

So to make it easy for everyone, I'm listing her posts her along with links. You can bookmark this post or go to each post and print. Either way, these are an invaluable source for help. 


















August 12, 2019 The Common Comma









Bio:
Amanda Cabot’s dream of selling a book before her thirtieth birthday came true, and she’s now the author of more than thirty-five novels as well as eight novellas, four non-fiction books, and what she describes as enough technical articles to cure insomnia in a medium-sized city.
Her inspirational romances have appeared on the CBA and ECPA bestseller lists, have garnered a starred review from Publishers Weekly, and have been nominated for the ACFW Carol, the HOLT Medallion, and the Booksellers Best awards. A popular workshop presenter, Amanda takes pleasure in helping other writers achieve their dreams of publication.
Find Amanda:



Monday, December 9, 2019

R&R: Raves And Rants From Multi-Published Author Amanda Cabot


The Final Rant

As the title says, this will be my final rant or at least my final scheduled rant. As much as I’ve enjoyed discussing grammatical errors and seeing your reactions to the posts, I’m reaching the end of my list of subjects. And, just as importantly, I discovered a book that explains grammar far better than I could hope to. If you haven’t already read Dreyer’s English by Benjamin Dreyer, I suggest you put it on your absolutely-positively-must-read list. It’s both entertaining and informative.


Today’s post will be a potpourri, filled with items that have annoyed me but weren’t substantial enough to warrant individual posts.

Mismatches
The rule is simple. A singular subject requires a singular verb. If the subject is plural, the verb must also be plural. Then, why did I find the following in print?
·         A little spit and shine on the outside and some renovations on the inside was all that was needed.
   We clearly have a plural subject here – “spit and shine” plus “renovations” – so the verb should also be plural.

What do you think about this sentence?
·         Gone were the boyish good looks and in its place was stunning rugged appeal.
I have no problem with the singular verb in the second half of the sentence, since the subject of that clause is “stunning rugged appeal,” which is singular, but I take exception to “in its place.” The author obviously knew that “good looks” was plural, because she used “were” in the first clause. Why, then, didn’t she say “in their place”?

Improbable Dialogue Tags
You know what I mean by dialogue tags, don’t you? They’re the “he said/ she saids” that precede or follow a line of dialogue. Correct dialogue tags include “whispered, asked, exclaimed” and a host of other verbs, all of which describe an aspect of speaking. Sometimes, though, I encounter sentences like the following.
·         “Jane packed your bag,” Susan nodded to the nylon suitcase in the corner.
·         Steve smiled, “Your dog is climbing on the chair again.”
What’s wrong with these? A person cannot nod or smile a line of dialogue. Correcting these errors is simple: substitute periods for the commas, creating stage directions rather than dialogue tags.

Misplaced Clauses
We’ve discussed clauses in the past, but a refresher never hurts. To avoid ambiguity or sometimes amusing errors, clauses need to be placed next to the nouns they modify.
·         Mother predicted an angel would fall out of the sky meant just for Jake.
Did the author mean to say that the sky was meant for Jake? I doubt it. The meaning would have been unambiguous if the author had said, “an angel meant just for Jake.”

Here’s another:
·         She forced herself not to look in Antonia’s direction who was nearly twenty years Michael’s junior.
Not only is this awkward, but the direction is NOT twenty years younger than anyone. Why didn’t the author simply say, “in the direction of Antonia, who was …”?
Miscellaneous Errors
·         The both of them were seated at the table.
What’s wrong with that? “Both” is a pronoun. It does not – repeat after me, it does NOT – need an article before it. You wouldn’t say, “the either of them,” would you? The sentence should begin with either “Both of them” or “The two of them.”
·         She reverted her gaze back to the path.
Does that bother you? “Revert” means to return, so there is no need to add the word “back.” It’s superfluous.

Anachronisms
We’ll end with one of my pet peeves, an anachronism. This is from a book that takes place in an aristocratic London household in 1861. The duchess is addressing a servant and asks, “What part of ‘no’ was not clear?”

Did you laugh? I did, but I also stopped reading the book at that point and made a mental note to avoid everything written by the same author. That’s hardly the reaction the author wanted, but it is the reason I’ve written these posts. I don’t want you to make mistakes that will cause readers to laugh for the wrong reasons.

Grammar is important. I’d go so far as to say that good grammar is the hallmark of a professional author, and that makes it essential. If you’re not confident that your grammar is correct, read Dreyer’s English or hire an editor, but, please, please don’t make me laugh at your mistakes.

Amazon

~Amanda



Headshot Of Amanda Cabot
Bio:
Amanda Cabot’s dream of selling a book before her thirtieth birthday came true, and she’s now the author of more than thirty-five novels as well as eight novellas, four non-fiction books, and what she describes as enough technical articles to cure insomnia in a medium-sized city. Her inspirational romances have appeared on the CBA and ECPA bestseller lists, have garnered a starred review from Publishers Weekly, and have been nominated for the ACFW Carol, the HOLT Medallion, and the Booksellers Best awards. A popular workshop presenter, Amanda takes pleasure in helping other writers achieve their dreams of publication.
Find Amanda:

Amanda's Latest Book:
A young woman with a tragic past has arrived in town . . . and trouble is following close behind

Ten years after her parents were killed, Evelyn Radcliffe is once more homeless. The orphanage that was her refuge and later her workplace has burned to the ground, and only she and a young orphan girl have escaped. Convinced this must be related to her parents’ murders, Evelyn flees with the girl to Mesquite Springs in the Texas Hill Country and finds shelter in the home of Wyatt Clark, a talented horse rancher whose plans don’t include a family of his own.

At first, Evelyn is a distraction. But when it becomes clear that trouble has followed her to Mesquite Springs, she becomes a full-blown disruption. Can Wyatt keep her safe from the man who wants her dead? And will his own plans become collateral damage?

Suspenseful and sweetly romantic, Out of the Embers is the first in a new series that invites you to the Texas Hill Country in the 1850s, when the West was wild, the men were noble, and the women were strong.

Pre-Order Amanda's Latest Book Now:




Monday, November 11, 2019

Take Five With Caroline Warfield & Her New Novel ~ Christmas Hope

As an author myself, I love reading about other authors and how they approach some of the key elements of a novel.  

Welcome to An Indie Adventure, Caroline. Tell us, what inspired you to write your book Christmas Hope?

Hi, L.A., thank you for hosting me again. 

Stories bubble up from the girls in the basement by some mysterious process. I didn’t see this one coming. I was presented with a set of story elements required in a novella for an anthology. A group I belong to offered the right to specify story elements for it as a prize. We ended up with a mixed bag of things: a heroine with hazel eyes and a bible among them. A vision of a story set in 1916 came to me almost immediately, I am not entirely sure why. As an army brat, I’ve always had an affinity for soldiers, but this is my first actual wartime story.

I wrote a novella that ended with the hero and heroine happy-for-now on Christmas, 1916. I knew they faced two more years of war, and I knew almost as soon as I wrote it that I had to finish their story. This book is the result.

How do you use setting to further your story?

Setting is generally critical in my writing. This story begins just after the Battle of the Somme. The contrast between the mud and destruction in the area of the fighting with the color and life among the floating gardens of Amiens reflect Harry’s despair and the thin thread of hope he feels when he meets Rosemarie.

Do you prefer to read in the same genre you write in, or do you avoid reading that genre? Why?

I do read historical romance, but not exclusively. Actually, I usually say I read historical anything—paranormal, steampunk, mysteries, romance, and non-fiction. Historical eras have always been the alternative reality I escape to one way or another. Lately, historical mysteries have been my go-to reads to unwind.

If you could live during any era of history, which one would you choose?

That is tough. It has to be an era in which literacy was high, especially for women. The Roman Empire comes to mind. After the 5th-century literacy all over Europe fell sharply. Women in Ottoman harems had better access to learning than many European women.

I used to think Tudor England would be interesting but the seething politic and religious conflicts were pretty ugly. Many eras have high points, but they all seem to have downsides. I might choose the early twentieth century when women began coming into their own.

What is the first thing you do when you begin a new book?

In a romance, everything flows from the characters. The first thing I do is identify them, name them, and then do a deep dive into their origins, background, conflicts, wounds, needs, goals, appearance, family—you get the idea. The more I know, the easier the writing process will flow. In Christmas Hope I had to know about Harry’s life as the only child of a lawyer, his conflicts with is father, and his ugly romantic breakup in college. All those things mattered. I think there ended up being a lot of my father in Harry.

How do you create internal and external conflict in your characters? I find conflict often the hardest to create when I start planning a book.

Internal conflict is critical, it is more important than external because the story hinges on it. You find it by a thorough study of your characters before you start. Everyone has scars and wounds they need to heal, but fictional characters need them to be sharp enough to drive decisions and behavior. Look around your life, your friends, or even the news media, and you can find sources of pain. Be courageous and lay it on your hero!

Once you knew their deep pain, you can create external conflict. Ask yourself what is the worst thing that can happen—to this particular character knowing his particular issues—and then do it to them. Setting Christmas Hope during wartime made some of this easier than usual. Harry hated the violence and yet he never faltered. For him it was much harder to lead other men into battle—in some cases to their death—than to do what he had to do as an individual soldier.

Give us a brief summary of Christmas Hope:

After two years at the mercy of the Canadian Expeditionary force and the German war machine, Harry ran out of metaphors for death, synonyms for brown, and images of darkness. When he encounters color among the floating islands of Amiens and life in the form a widow and her little son, hope ensnares him. Through three more long years of war and its aftermath, the hope she brings keeps Harry alive.

Rosemarie Legrand’s husband left her a tiny son, no money, and a savaged reputation when he died. She struggles to simply feed the boy and has little to offer a lonely soldier, but Harry’s devotion lifts her up. The war demands all her strength and resilience, but the hope of peace and the promise of Harry’s love keep her going.


Separated in the fog of war, they struggle to reunite in the end. When it is over, will their love be enough?

Buy: 
Amazon |Apple | Barnes&Noble  


Bio:
Award winning author Caroline Warfield has been many things: traveler, librarian, poet, raiser of children, bird watcher, Internet and Web services manager, conference speaker, indexer, tech writer, genealogist—even a nun

She reckons she is on at least her third act, happily working in an office surrounded by windows where she lets her characters lead her to adventures in England and the far-flung corners of the British Empire. 

She nudges them to explore the riskiest territory of all, the human heart. Love, she believes, is always worth the risk.
Find Caroline: 
Website |Bookbub | Amazon Author | Twitter | Good Reads